Menu
  • Paintings
    • White Noise
    • Manhattan Project
    • Biennials (Axis of Evil)
    • Urban Self-Similarity
    • Fractal Sublime
    • Aerial Landscapes
  • Exhibitions
    • Reservoirs of Possibility
    • Formless Threads & Stratified Dimensions (Current)
    • Darkness & Light
    • Spatial Planes & Timeless Dimensions
    • No Apologies @ Christie’s
    • Urban Planning
    • Panorama @ Christie’s
    • Exhibit Archive
  • Commissions & Acquisitions
  • Blog
  • About
  • Contact

Roy Kinzer

  • Paintings
    • White Noise
    • Manhattan Project
    • Biennials (Axis of Evil)
    • Urban Self-Similarity
    • Fractal Sublime
    • Aerial Landscapes
  • Exhibitions
    • Reservoirs of Possibility
    • Formless Threads & Stratified Dimensions (Current)
    • Darkness & Light
    • Spatial Planes & Timeless Dimensions
    • No Apologies @ Christie’s
    • Urban Planning
    • Panorama @ Christie’s
    • Exhibit Archive
  • Commissions & Acquisitions
  • Blog
  • About
  • Contact
Show Thumbnails Prev / Next

1 / / 0

Glendale Avenue (2017) watercolor/collaged map on aluminum 40"x 60"

Back Bay (2016) watercolor/collaged map on aluminum 16"x48"

Flatbush (2016) watercolor/collaged map on aluminum 36”x56”

Harvard Square (2016) acrylic/collaged map on aluminum 56"x48"

Back Bay Riff (2016) watercolor/collaged map on aluminum 13"x10"

Waterfire 2 (2017) watercolor/collaged map on aluminum 48"x 48"

Glendale Avenue (2017) watercolor/collaged map on aluminum 40"x 60"

Back Bay (2016) watercolor/collaged map on aluminum 16"x48"

Flatbush (2016) watercolor/collaged map on aluminum 36”x56”

Harvard Square (2016) acrylic/collaged map on aluminum 56"x48"

Back Bay Riff (2016) watercolor/collaged map on aluminum 13"x10"

Waterfire 2 (2017) watercolor/collaged map on aluminum 48"x 48"

White Noise is turbulence, a self-similar pattern of disturbance that interrupts the flow of information. What happens to the information our eyes deliver to our brain when there's too much light? What results when these self-similar disturbances disrupt our interpretation of form? What do these disturbances look like?
© 2018 ROY KINZER